![]() ![]() The artist’s works across all media beguile viewers with beauty and humor while confronting racism, sexism, ecological devastation, and complex family dynamics. Best known for her virtuosic use of beads and glass, Scott has upended hierarchies of art and craft across a spectrum of media over the course of five decades-from her woven tapestries and soft sculpture of the 1970s and audacious performances and wearable art in the 1980s to sculptures of astonishing formal ingenuity and social force from the late 1970s to the present moment. ![]() Scott, one of the most significant artists of our time. The Baltimore Museum of Art (BMA) and Seattle Art Museum (SAM) have co-organized the 50-year career retrospective of artist Joyce J. The Museum of Fine Arts is thrilled and grateful to present them as part of In Dialogue.Baltimore Museum of Art and Seattle Art Museum to Present 50-Year Retrospective of Boundary-Breaking Artist Joyce J. ![]() Thanks to Art Bridges, the MFA borrowed eleven works from the Joslyn Art Museum-currently closed for a major expansion-which are featured in this exhibition. The foundation supports arts projects that educate, inspire, and deepen engagement with local audiences. Established in 2017, the Art Bridges Foundation is dedicated to expanding access to American art across the US by working with museums of all sizes and providing financial and strategic support to get art out of storage and into communities. In Dialogue: Unexpected Visual Conversations is made possible through the Art Bridges Collection Loan Partnership. Throughout the museum such visual confrontations will appear, offering a chance to rouse our visitors’ perceptions, making them look more closely, question more deeply, and hopefully causing them to see even familiar paintings differently and more fully. This combination explores how we tend to think of the second half of the twentieth century as being the realm of abstraction, even though many artists continued to work in a realist mode. Similarly, Al Held’s monumental and boldly abstract Untitled (1964) is installed adjacent Carroll Cloar’s nuanced, small-town Pool Room (1960). This combination allows visitors to consider how the natural landscape continually changes due to human intervention and how this in turn impacts our lives. Although these pairings bring together paintings and sculptures from different time periods, stylistic movements, and artistic approaches, at the same time these juxtapositions touch upon larger questions-ranging from societal changes and political movements to ideas about how artistic styles evolve and ways of approaching self-expression.įor instance, Thomas Moran’s evocative Florida Landscape (1877), showing the state before it was overwhelmed by development, is hung adjacent Chuck Forsman’s Lizard (1987), a painting that focuses upon a grand mountain vista dominated by dams and roadways. Installed throughout the MFA Collection galleries, In Dialogue creates unexpected visual combinations that inspire contemplation and conversation. Petersburg, Florida, this exhibition juxtaposes modern and contemporary pieces with paintings and sculptures from the Museum of Fine Arts. Featuring eleven major works from the Joslyn Art Museum, Omaha, Nebraska, and an additional painting from the James Museum of Western and Wildlife Art, St. ![]()
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